You have legends like Pulp back in the mix, reminding everyone that their sharp edge has not dulled. Wolf Alice continue to be one of the most consistent modern bands, every record feeling bigger, braver, and more magnetic. Then there is CMAT, whose pop-country-meets-theatre storytelling proves that personality and humor still belong in the same room as heartbreak.

The list stretches from veteran acts to newer voices, all blurring lines between rock, pop, folk, and experiment. What I like about this year is that it does not feel narrow. It shows how messy, layered, and alive the scene really is. It is not about one sound dominating, it is about a mix of voices shaping what comes next.

The Mercury Prize always sparks debate, but that is half the fun. Whether you are rooting for the icons or the underdogs, the 2025 nominations remind us that UK and Irish music is still restless, still refusing to sit still.